LOST Thoughts For S6E17 The End May 23rd, 2010 Part One

Notice the title change? That’s because there’s no need to post theories or think about how things will play out because it’s over. Well, what did you think? Me? I loved the finale. I thought it was a beautiful tale of moving on and letting go. I got choked up more in those two and a half hours then I had the entire series. As far as Series Finales go that was one of the best. The only problem is that I have no idea what series it wrapped up.

I have so many thoughts in my head and I don’t want to sound pedantic but the episode did nothing for me in terms of wrapping anything up on the island. It was like watching the opening five minutes of Evil Dead II, which asked me to completely forget about what happened in the first movie since they rewrote it all in that span of time. Again, do not jump on the pitchfork and torch bandwagon yet. Let me reiterate, I LOVED WHAT I SAW, but I just don’t get why I saw it.

You know I am going to bore you to death with my ramblings.  I attempted to swallow the pregnant Metis, also known as my ability to go to Erie to tell a story, but couldn’t.   If I don't, the Athena-like rant shall spring forth from my head. So, I will break it all up into a couple of posts because, quite frankly, I’ve been mailing it in lately with reposting CarTalk puzzlers and I really don’t have the time to get all pop culture geeky on you with new stuff. So, let’s start off with this past Saturday’s repeat of the pilot episode, OK?

SHOW OF SCIENCE, SHOW OF FAITH

When LOST was first announced on the fall schedule I thought it was going to be utter crap. Why? Because I didn’t think a show about people shipwrecked on a island was going to be able to hold my attention. I made an attempt to watch Alias and after I missed two episodes I was completely… LOST.   My wife was also not interested in watching the show, which kind of made it easier for me to just let it slip into the pile of missed shows. Still, I was willing to give the show a chance with the pilot. Why? Because I hate to miss things.

That opening scene was quite simply one of the best things I had ever seen. And remember, this was a season that boasted Rescue Me, Desperate Housewives, Grey’s Anatomy, albeit in March, CSI: NY, Deadwood, Veronica Mars, Boston Legal, and House. Unfortunately it also had Joey and The Apprentice. So for me to put LOST’s premiere ahead of these other really decent shows gives me a newfound appreciation for appointment television. Until now, I had only done that with Buffy, Angel, West Wing, and The Oscars.

Here was a show that defied convention. It was a piece about characters and people and it just so happened that they were stuck on a tropical island. Had that been it, it may have lasted two seasons and I probably would have been happy with it. Then that pesky noise in the jungle came about and things took a turn. Still, even with that noise, that mechanical roar accompanied by the swaying and cracking of trees, the show stayed rooted in the focus of the people who survived. We had little snippets of back story concerning each castaway. There was a doctor, a con man, a rocker, a fugitive, a sad sack, a couple isolated by social mores and language, a father and son, a broken man, the pretty young over privileged rich girl and her infatuated step brother, and a torturer. Talk about The Real World. This was almost a slap in the face of reality shows that pit opposing personalities and backgrounds against each other to see if they can coexist in a confined space. Then Greg Grunberg got sucked out of the cockpit. After a bit, we saw how the passengers were flawed. We saw the post 9/11 fears play out as Sawyer attacks Sayid. We saw Jin tell Sun to stay covered and keep a low profile. We saw one of the most terrifyingly real depictions of a plane crash I’ve seen since Alive. We saw a spoiled brat refuse to help out and face the facts that no one is coming. We saw the first steps of a group of strangers working together towards becoming a community by looking for help. Then Sawyer shot a polar bear. “Guys, where are we?”

THE REST OF SEASON ONE

Those two hours held the world on edge for something different. It strayed into the bleeding edge of drama and hovered around science fiction but it stayed firmly rooted in its storytelling about people and their problems. How they were lost in life and how their time on the island might help them. From then on it became a finely tuned instrument that delved into the nature of what happened, happened. But I am referring to what happened off the island. Here it didn’t matter. Daddy issues, mental issues, abandonment issues, and Spanish Graphic Novel issues aside, everyone on the island was given a blank slate with the chance to redeem themselves. It only took four seasons to change all that.

It started with that damn hatch. That pill bottle lid that just stuck out like a piece of the alien ship in Tommyknockers. Once the characters began digging in the dirt looking for answers the show became more about science than faith. With the end of the first season we had found that somehow people and things on the island were connected off the island. Soon, the show became more about spotting the connections, the numbers, the crossed paths, and less about people’s atonement and relationships. Sure that was still there, but the questions and mysteries took over. Some of the highlights of that first season include some of the best music I’ve heard in a series. I can’t help but love Michael Giacchino as a composer. For me, he ranks up there with Christophe Beck and Snuffy Walden. I still get weepy when I think of that church scene from the finale with the “LOST theme” playing over it just like I used to when Beck’s theme for Season 2 of Buffy played as Angel got skewered into oblivion.

In fact there were so many great scenes from Season One that were punctuated with that damn heartstring tugging tune. Boone’s death while Aaron is born was one. The launching of the raft was another. I was immediately struck with the imagery of Tom Hanks leaving his island captivity on a raft outfitted with a port a john. The same kind of weepy music accompanied Hanks as he looked back on four years of his life as a different man, island man. As the rafties made their way out to sea to look for rescue I felt that same twinge of longing for a place that had become home for several months, even though it had been like two weeks for them.

But nothing could have prepared an audience, so willing to accept the small quirks of the island like evil others and a faceless monster, for what was about to happen. The other pillar of black smoke came and they hid, the raft encountered salvation only to find it was taking something away, and a cork was pulled out of the bottle that unleashed the island’s mysteries upon the castaways when that damn hatch lid blew. Season One was full of everything that made LOST so engaging and intriguing. It beguiled us and bugged as for the next five seasons until it had to come to an end.

Next up, Did Season 6 answer all those pesky questions?

LOST Theories for S6E11 Happily Ever After April 6th, 2010

Relationships. Whether it’s the relationships between strangers on a plane, parents and their children, husbands and wives, and even those who are kept apart by time, space, and a weirdo island, relationships make up the core of LOST. We saw it in Season One in a father and son trying to repair a broken relationship. We saw it on the island and we saw it off the island as each of the survivors’ back stories intertwined with one another.

Now, when we are so near the endgame, we see that relationships still drive the story of LOST. We see a husband and wife trying to desperately get back to one another. We see a mother struggling with sanity after her son was taken from her three years before. And we see two forces, opposite sides of the same coin struggling in their relationship to good and evil. But the biggest relationships are those that were possibly not meant to be. And the producers have said to not read too much into the relationship between the Flash Lefts and the Original Timeline. I say, “Screw that.” If anything, last night made that relationship all the more clearer.

Critics of the Flash Lefts may be brought back into the fold after last night’s episode or will just give up their relationship to LOST altogether. There will be some that will hail that Happily Ever After was the BEE of LOST and they will do it in their best Simpson’s Comic Book Guy voice. I think it was good, but it doesn’t sit above "The Constant" on my ever evolving top ten list of best episodes ever. Because in that episode lies the destiny of Desmond Hume in the following phrase, "If anything goes wrong, Desmond Hume will be my constant."

The good of the episode is that we get to see Desmond, of course, but also Charlie, Eloise, Penny and Daniel. The bad is that we get more mysteries than answers. The highlights are Charlie getting to reprise his death scene with a different ending from "Through the Looking Glass" (although it would have been funny if Charlie would have put his hand up to the glass and been missing part of his pinky finger in a nod to FlashForward) and the low points include Sayid having the chance to put us out of our misery with killing Zoe, the most hated character since Nikki and Paulo, and not following through for once with his homicidal tendencies.

The biggest mystery solved is the connection between the Flash Left Verse and the Real World and that some people are self aware that their seemingly perfect lives are merely a lie. The newest mystery is how does Desmond plan on convincing Locke, Hurley, and Claire, among others who are better off in this fake life, that they are better off being dead, unlucky, and crazy sometime else. Not to mention, how do you reconcile the two timelines and bring everyone three years forward and to the right?

My general theories about what the island is and how everything functions keeps getting turned about like a giant Rubik’s Cube. I work for hours to solve one side thinking I’m making progress only to have five other sides still unsolved. In order to work on them I have to screw up the one thing I thought I had figured out. In the case of LOST it’s the nature of who is the key to everything.

But while fans overly analyze and try and pick apart every little thing about every episode, every sentence, every prop, and every pop culture connection between the show, science fiction literature and religion I tend to skew the connections by offering the oddball ones. Before I move onto individual aspects of the episode let me pepper my section on Desmond with this. Everyone is discussing and theorizing that Demsond’s experiment was used to cause the acknowledgement of the Flash Lefts. I don’t know that is the whole truth. We’ve seen over the course of almost six years that when someone has a flashback or in this case a flash left the connection… or relationship between the two is implied but the action that is taking place at the moment of the “whoosh.” I’m not so sure this wasn’t simply the same thing.

Maybe Desmond, being forced to withstand another Catastrophic Electromagnetic Event wasn’t designed to make him see the alternate reality but see something else that makes him compliant with Widmore’s plan. His Flash Left doppelganger may have the same inherent talent as his Original Timeline self and can see the connections as well, not just because he licked a giant 9 volt battery in the original timeline. What C.E.E. did Charlie and Daniel experience that caused them to realize the truth? Perhaps that C.E.E. is more commonly known as L.O.V.E. and when Sideways Sawyer meets Sideways Juliet and Sideways Hugo meets Sideways Libby, they’ll see the truth, too.

CHARLIE IN THE ALTERVERSE
Alterverse? I like that, I can’t keep typing Flash Left because it just doesn’t have that great flow to it. Alterverse feels more natural to say. Anyway, I liken Charlie to a type of dream I’ve often had in my life. You may or may not have had this dream. The setting or characters in this dream are inconsequential as they can be interchangeable with nearly any others. The focus is that at some point in your dream you suddenly become self aware that you are dreaming. For me it’s usually a scenario where I am supposed to take a very important test that I haven’t studied for. I don’t even remember going to any of the classes. As the test gets passed around and I find that I cannot read the questions. Suddenly, I realize that I am over 30 and no longer sitting in my 11th grade U.S. History class. (akin to a Batman The Animated Series episode plotline) So, then I proceed to just sit as an observer, put my head down, or run around the classroom yelling and screaming obscenities for the hell of it.

Now, I told you that story to tell you this one. Charlie has the same self realization that he doesn’t belong in this reality. It’s almost like Groundhog Day where Bill Murray starts goofing around because he realizes there are no consequences to his actions because he will wake up to the same day, every day. So, Charlie shows Desmond that something is wrong. Desmond then goes to the Widmore estate to inform Mrs. Widmore of Charlie not showing up to perform. After he begins to question reality, Eloise steps in and tells him to stop. Well, of course she does. She knows full well what’s going on and doesn’t want to see a reality where she kills her own son and then 30 years later sends him to his own death by her younger self. But what is important is that Desmond meets Daniel and Daniel also realizes that something is wrong. Perhaps the trick is that you have to have died in the original timeline to recognize that something is off in the alterverse. The exception would be John Locke, but there is no telling whether or not Locke is really Locke in the alterverse, just yet.

DESMOND IN THE ORIGINAL TIMELINE
“The island isn’t done with you yet!” Is the phrase we keep hearing from characters about Desmond’s destiny. But what does that mean? Is the island a stage five clinger? Or have the puppet masters of Jacob and MiB not finished their game of Dungeons & Dragons yet and still need Desmond to prove a point one way or the other. Desmond’s role may or may not be that important to the overall mythology. I tend to look at these last few seasons as a giant Rube Goldberg machine (The Game Mousetrap to all you unfamiliar with the concept.) Basically, the island and everything on it is one overly complex machine with many parts that when activated performs a simple task. Think of MiB’s loophole scheme to kill Jacob. All of that work just so he could leave the island. However, in keeping him on the island or stopping him for good, another equally complex and intricate device needs to be activated. In that device all the castaways and island visitors have a part to play. Perhaps Desmond is just one cog in a bigger wheel. Us old school text adventure gamers will recognize this as a sort of Chekhov’s Gun, where a seemingly unimportant item or character will suddenly become important later on and “Will Know What To Do When The Time Comes." For me, I’d rather see Desmond be Chekhov’s Gun that Zoe. At some point, because of Desmond’s ability to withstand Catastrophic Electromagnetic Events, he may be useful in performing some task relating to Jin’s knowledge of where these concentrated electromagnetic “Hot Pockets” are. We already know the Swan and the Orchid have one but where is the third one?

THE PACKAGE
A friend commented on my facebook import of last week’s post and said that perhaps Desmond is not the package. This could be a plot twist. I didn’t believe the probability seeing as how Desmond was introduced to Snoopy eyed Sayid in the water, but perhaps there could be something to this. What if Desmond is not the package but merely the mailman? Why would he need to be drugged if he was double padlocked on the sub? Maybe someone is still on the sub or being held somewhere else and they are the package. Maybe that person has a special talent that makes them somewhat akin to a hydrogen bomb that can interact with a “hot pocket.” Maybe that person is Walt?

SAYID’S ROLE
If ever there was a case for IS HE BAD OR ISN’T HE it’s Sayid. His pa-pa-pa-poker face, his pa poker face leaves me wondering if he isn’t in some way working both sides against the middle. Still, he killed Dogen and Lennon and red shirt number 23 for Team Widmore but he let Zoe live and took Desmond with him. If Desmond was had some kind of clarity or epiphany maybe he sees that he’s supposed to go with Sayid or it could be that he’s just a little bit high. Not sure. In any case, the truly evil Sayid would have killed Zoe instead of letting her run back to Charles to report the abduction.

THEORY DEBUNK TIME
I have no energy to scan old posts right now and pick theories I postulated however, the ones about Zoe and Desmond’s role in the story still stand because I think that the “sacrifice” Widmore says Desmond will have to make is to either to become the new Jacob, die to save everyone, or in a really wacked out scenario keep the alterverse the way it is because it’s the way things should be. However, I did check back to a previous post and decided to debunk my theory from Recon.

5. The Ajira survivors were killed by...


1. Widmore because he’s a sick bastard.
2. Locke Monster because they didn’t want to go with him OR he used them as leverage for Sawyer.
3. Something else happened to them entirely.

We know that the MiB/Locke Ness Monster cannot travel over water in smoke form but he was able to travel to the Hydra Island to chat with Charles about Jin’s abduction. In that case, he either killed the other Ajira survivors before he went to the temple OR Widmore did it for whatever reason. I think the fact that they were beginning to smell bad and attract flies might indicate it was still MiB’s handy work, although I am not a doctor or forensic scientist. Either way I’m debunking C. because it probably won’t ever get explained anyway and that means that C. is irrelevant.

NEW THEORIES

1. Desmond is going to...


1. Be the package
2. Deliver the package


2. And his sacrifice will be…


1. Die in the process
2. Become the new Jacob.
3. Keep the alterverse the way it is.

His sacrifice must involve his love for Penny somehow otherwise it wouldn’t have been so important to focus on their relationship in previous episodes.

3. Sayid is


1. Evil
2. Pulling a Sonny Crockett and playing evil
3. Just plain crackers

I still can’t come to grips with the whole idea of who is good and who is evil. If that is going to be a big twist then they are really going to lose the audience members who don’t slice and dice the series as much as those who do. I mean that in the case of people who look back on episodes and say, “Well that makes perfect sense now because so and so was really good/bad. But I find Sayid’s lack of character motivation disturbing in that I can’t read him….much like History tests in dreams.

4. The experiment was meant to…


1. Show Desmond the alterverse and allow his doppelganger to realize the truth.
2. Simply show that he can withstand a C.E.E. so that he can interact with the “Hot Pocket.”

I’m going with B. on this one as I previously stated. Charlie and Daniel are the exception to A. in that they merely caught a glimpse of love by seeing Claire and Charlotte which caused them to experience the notion that “this life is not our real life.” Now, you may say that unless Desmond is in love with Charlie, that theory doesn’t jive. I say, ”What was written on Charlie’s hand?” That’s right, it involved Penny and that is his relationship to the original timeline, he loved Penny and would cross time and space to be with her.

That’s all for now. Can’t wait for next week’s episode entitled “Everybody Loves Hugo.” Because why shouldn’t they.