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Showing posts with label commercials. Show all posts
Showing posts with label commercials. Show all posts

Tuesday, December 3, 2013

Tellin Y'all It's sabotage


Being a shirt designer in the realm of pop culture based designs, I have had a lot of time to learn about intellectual property and trademarks and copyrights.   And while I do understand that protecting your intellectual property is important, you have to realize that there are some fights just not worth pursuing.

Goldieblox recently came under fire by The Beastie Boys because of a commercial that showed girls bucking the pink plastic kitchenware toys of the 1950s-2010s and turning to ingenuity, creativity, and science to show just how smart and cool they are.   They did it to the tune of the Beasties’ “Girls”.

This was brilliant as a OK Go / Rube Goldberg themed ad with the catchy tune in the background with the lyrics changed.   The problem is that The Beasties have a policy of not letting companies use their music in ads, and like most artists this includes music used without their permission.  But the Beasties and Goldieblox battled over who sued who first and, in the end, Goldieblox complied with replacing the music in the ad with an instrumental, you-get-it but-it’s-not-infringing-on-anyone, tune that still manages to evoke the idea of “Girls”.

What the remaining Beasties fail to realize is that this is the age of the Internet and social media and they simply invoked the Obi Wan Kenobi Threat.  “If you strike me down, I shall become more powerful than you can possibly imagine.”  How?  GoldieBlox’s YouTube channel took down the other ad but you can still find it.


Not to mention, every news outlet’s own YouTube channel and story that picked up on the commercial shows the original video or a full story about the lawsuit, featuring the original commercial with the original song.  
 
 


But... the story takes another twist.

Remember how I said the commercial was reminiscent of OK Go?  That’s because the mechanical marvel was designed and built by Brett Doar, GASP “a stinky boy with cooties.” Who built the Rube Goldberg device for OK Gos “This Too Shall Pass” video.
So… who is the loser in all this mess?

Is it the Beastie Boys, who lose an ounce of respect from fans, especially females, for picking on little girls?  (Which they didn’t.  They went after a company who neglected to follow intellectual property rules.  The girls were the face of the story and thereby collateral damage.)

Is it Goldieblox, who got beat down by the establishment for trying to promote girls are equally as smart and creative as boys and got slapped for not following intellectual property rules?  (Which doesn’t matter because the consciousness of what they tried to do lives on in the form of undying Internet pixels and increased sales due to awareness.)

Or is it girls who are, once again, relegated to being an object.  The company wanted to promote the idea that girls are equally creative and smart as boys and in executing this plan, hired a man to do all the work while they just looked cute and cool.

Or is it the public who rises up and shares “LOOK AT THESE GIRLS!” “GIRLS RULE. BOYS DROOL.”  all over social media while neglecting to understand intellectual property rules, marketing to the masses under the guise of promoting gender equality, or simply creating buzz by social engineering.
Me, I’m just here showing a cool video in the face of the man…  because the Internet is forever and we’re all stupid to believe we are in control.
You gotta fight for your right.  Know what I mean?

Monday, February 6, 2012

YouTube Ad Fail… or Win

Let’s face it. YouTube ads suck.  I spent last year catching up on Yogscast episodes of Minecraft only to have to suffer through that stupid Xfinity… sorry Comcrap song, “Fun for you…Fun for me…” I was reaching for a gun by about episode 15.

ARRGGHH! YOUTUBE ADS SUCK. THEY SUCK. THEY REALLY SUCK! They suck almost as much as Zynga ads during games. Honestly, I have five seconds to harvest these crops before they die and the effers put up a pop up ad telling me to spend real money to get fake money. WTFBBQSTD!!!


Now, I am glad that the newer ads have a five second skip feature, but still, Who cares about the 5AM warrior, or whatever it is?

But are the ads targeted?  Is the video content I'm about to watch paired with an ad that speaks directly to the subject matter? 

If so, count this as a fail... or win, depending on how you feel.
I watched the trailer for The Hunger Games and the ad before the trailer was for McDonald’s.
I watched a stupid video depicting how bad Siri fails at understanding questions on the iPhone 4S and the commercial before it was for Android. 

The iPhone 4S thing wasn't even a good video.  I was expecting to find some humorous instances where Siri didn't work as expected.  What I got was a couple of haters, with bad accents, that Siri couldn't understand when they pronounced certain words.  Hell, I couldn't understand them.




Monday, March 15, 2010

Behold The Mongo Burger

My love of the Baconator is epic if not sad, but that can’t be the pot of saturated fat end of the Lipitor rainbow.. Just for fun why not build my own burger just for the hell of it.

Now to lead into this I entreat you to recall John Candy eating the old 96er from The Great Outdoors. Then, go on ahead to Clearfield, PA and try out Ye Olde 96er at a place called Denny’s Beer Barrel Pub. These guys are a nutritionist’s worst nightmare. They have speed records to be broken by eating 2lb and 3lb burgers and all the way up to 15lbs. By the way, that 96er that I mentioned was just eaten in less than 2 and a half hours by a teenager in December. He also ate the 15lb burger in 4 and a half hours. Pass the Tums.
“Look at the size of the maggots on that meat.”
Anywho, back to the Mongo Burger. In the age of full disclosure of nutritional value, it might be of importance to flip over your carton of fries and look at the table on the back, or the bottom of that cardboard box your burger came in, provided you can see through the soaked in grease stains. The numbers are astounding. It’s insane how bad fast food is for us and don’t even get me started on McDonald’s salads. But just for fun go to Burger King’s site and do a little mad scientist work of your own.
It might be hard to navigate but simply put click on this link and build your own.

The consumerist has been having some fun with this site and why not? After all, it’s like catching a glimpse at your own salty, meaty death. You can choose any sandwich like the Triple Whopper and then take away or add on things like extra meat, chicken, fish, cheese, sauce, bacon, onions, bacon, lettuce, tomato, bacon, mayonnaise, bacon, and even bacon. Then check out the nutritional value of your creation and even try to order it. You could create the Land, Sea and Air sandwich. It’s rumored to be on the ”secret” list of menu items that only the true fast foodies know about. Or anyone with an Internet connection, anyways. The LSA sandwich is a beef, chicken, and fish patty on a bun, presumably with mayonnaise, ketchup and tartar sauce as well. It’s definitely not Lent friendly.

For my own, I created the Mongo Burger which has four whopper patties, four orders of bacon, three slices of cheese, extra, extra mayonnaise and tops out at 1830 calories, 135g of fat, 48g sat. fat, 350mg of cholesterol, 47g of carbs, and 2220mg of sodium. Dear god, just have the ambulance on its way.

Supersize my Lipitor while you're at it.


The Oh My Colon Burger From The Consumerist Article

Now whether or not BK would actually make the thing is debatable. This could be just a fun way to get people to buy a regular sized salt meaty death. Burger King certainly has better marketing skills than say McDonald’s. These are the people that brought you The King who still terrifies and titillates me in a way I will never shake from my psyche. Not to mention there was the subservient chicken which I believe is the answer to which came first between it and chat roulette. The ability to custom order your demise is more likely a gimmick for fun than it is to actually order said death. However. there is an “Add To Your Order” button, but I’m sure someone with an ounce of common sense would say, “No way, chunky butt.” If they do, BK’s slogan of “Have It Your Way” may apply to your funeral arrangements as well with buried, cremated, or flame broiled.
“That ain't the last bite!”

“Well sure it is, there is nothing on that plate but gristle and fat!”
Check please?

Thursday, December 24, 2009

Childhood Christmas Commercial Memories

Last year I ran down my all time favorite shows on at Christmastime. But what about those gems of capitalism that come on in between your favorite shows? I've compiled [read: stole from YouTube] a few of my favorites for you.

First up, local fare from the SW PA and surrounding areas. It's for Eat'N Park.

Next up, who could forget this classic tear jerker from Folger's. The one from this year just isn't as sincere as the original from 1986.

This one wasn't hard to find. It's the Coca Cola commercial from the 70s with the hilltop singers.

And another from 1986. It's a Hills Stores Commercial with a...I'm not sure if he's an elf or a gnome or Willow but he knows where the toys are.

Hand bells and kisses. Hershey's yearly commercial with the kisses ringing out "We Wish You a Merry Christmas."

How about another one from Coca-Cola? Did anyone ever try burying a pine cone in the hopes that a fully grown and decorated tree would grow? Maybe Art Carney was truly magical. And maybe someone out there could also be magical and find me that commercial online. It's harder to find than a Cabbage Patch Kid, Tickle Me Elmo, and Zhu Zhu Hamster in the Christmas Shopping Time Warp.

UPDATE: 11/2013 - I found it!  It's from 1988 and features Art Carney and Brian Bonsall (the Cousin Oliver of Family Ties)

 

Another local one. The Pennsylvania Lottery has a yearly Christmas commercial where they parody "The Twelve Days of Christmas." Each year they manage to keep it relevant with rotating lyrics for the current offerings. This commercial has been playing since the early 90s, at least. Once again, I cannot find it online. Someone has to remember it. "Five....Cash...Five"


UPDATE 11/2010 Thanks to Narpin for finding and posting the Five Cash Five commercial on YouTube. Now my life is complete. Share your own memories from Christmas commercials. Happy Holidays!

Thursday, November 5, 2009

Dead Guy In A DirectTV Ad

I very rarely watch commercials anymore. Any regular reader knows of my love/hate relationship with my DVR. When I am watching the tube, I spend most of time fast forwarding through ads to get to the rest of the program I recorded months ago and haven’t watched or I am pretending to ignore the screen all together in an effort to not divulge my secret addiction to Sprout. I am mesmerized by the repetitive nature of the programming and wonder who the hell watches children’s programming at 4:00 in the morning? My two year old is already taking control and knows that I can call on Caillou or Dragon Tales at any time of the day just by pushing that big long button at the top of the remote.

But, back to commercials. On occasion, I will slow my forward momentum to catch a quick trailer for a new movie or video game. It was on one of these fast forward furloughs that I caught the latest DirectTV commercial featuring David Spade and a somewhat alive Chris Farley. We all know how DirectTV runs their ads. They take a popular movie and intercut new footage with one of the actors who breaks the fourth wall during the scene to schlep the service. Usually, a body double is used to continue the action of the real movie in order to seemingly splice together a pop culture moment with a crummy commercial. What alarmed me was that the scene, with David Spade selling his soul to the satellite service, was the “Fat Guy In a Little Coat” bit from Tommy Boy.

I shouldn’t be shocked. DirectTV isn’t the first company to sell their product using a dead star in its pitch. After all, aptly named Dirt Devil used Dead Astaire to sell a mop in 1996 and Dirt Devil wasn’t even the first to use a dead celebrity to sell something. Five years earlier, Natalie Cole did it with her album, Unforgettable… with Love. Granted she was paying tribute to Nat King Cole with the album, but the videos creeped me out because it looked so much like she was using her father’s celebrity to sell the album. And even earlier, Hank Williams Jr. did a duet with dear old dad Hank Sr. in 1989, which also featured a music video of Father and Son together. So why has the ad touched off a bit of a media buzz over good or poor taste? Call it timing.

First off, according to an interview with David Spade, both he and the family of the late comedian were approached about the commercial and the family gave their blessing. Second all, what exactly are people up in arms about? From a lot of the net chatter people are creeped out by the timing and intent of the advertisement. A few folks pose have been asking, “Is it TOO SOON?” and “Did Spade sell out his friend?”

Too soon for what? Chris Farley died 12 years ago. How long is the statute of limitations on using a dead goofball comedian in a television ad? It can’t be that we are somehow more endeared to Farley, now, then when he was alive. I loved Tommy Boy and Farley on SNL was the third renaissance of the 35 year old show, but it’s not like Chris Farley was John Candy or Jackie Gleason. So, why go with the adage of “It’s too soon” to explain disgust?

To that end, DirectTV’s series of ads has tread upon this ground before with a commercial featuring Craig T. Nelson reprising his role from Poltergeist. The commercial shows footage from the movie with the late Heather O’Rourke in the iconic “They’re Here” scene. O’Rourke died in 1988 and people still found it creepy. Going back to through DirectTV’s ads we can find another instance of a deceased character used to sell the service. I say it was way too soon to use the Queen Xenomorph in a commercial. I still can’t go near an airlock without breaking down into a sobbing mess. Sorry, I just can’t get away from that bitch.

I have another opinion on the ick factor with the Farley ad. It isn’t that it’s too soon, it’s that this year has been wrought with the death of pop culture icons. 2009 has seen the death of at over 20 distinct fixtures from the world of pop culture in Michael Jackson, John Hughes, Ed McMahon, Farah Fawcett, Patrick Swayze, Soupy Sales, David Carradine, Lou Albano, Mary Travers, Henry Gibson, Dom DeLuise, Les Lye, Eunice Kennedy Shriver, and Ted Kennedy. Dredging up the memory of another dead celebrity just seems to be in poor taste this year. Like I said, equating Chris Farley to say Soupy Sales or Henry Gibson is a bit of a stretch but realize that Chris Farley made his mark in the entertainment world and now the generation that grew up and identifies with him as a peer is now the same generation that is owning a home and paying for satellite service. He’s as much as an influence their lives as say Michael Jackson was on my generation and Soupy Sales was on my parents’.

The other problem with the advert is the content. I’m not suggesting there is anything wrong with a fat guy in a little coat, but Chris Farley isn’t the one pitching DirectTV, David Spade is. Granted, I don’t think you can go through a lot of Tommy Boy and find a David Spade specific moment that doesn’t get overshadowed by Farley’s Tommy Boy Foolery. “Fat Guy In a Little Coat” is as much Farley’s moment as “They’re Here” was Heather O’Rourke’s. Those are the things that you remember from those films, not David Spade’s reaction to Farley ripping the back out of Richard’s coat. It was simply a poor choice in scenes.

I can think of two scenes that would have served to highlight Spade’s character, one was the hotel scene where he gets caught watching a skinny dipper at the pool. That’s not exactly a good sell for DirectTV unless you are selling their adult programming. The other, which I think would have been more appropriate, would have been the scene where Richard is discovered to be wearing a toupee after an engine fan revs up and blows his off his head. At that moment, David Spade could have broke the fourth wall and spoke directly to the audience with that bald head and flapping toupee and it would have been chuckle worthy. After his pitch, he reattaches the rug and goes directly back into the original footage. That would have been more acceptable because it was a scene directly involving his character.

The bottom line is that both Farley’s family and Spade gave consent to the commercial, although I can’t imagine what consent Spade had to give over the use of the footage. He was Farley’s dear friend but I don’t think he has anything to do with the actor’s estate. It might have been him consenting to appear in the commercial. Who knows?

So, in my book, the spot was a little creepy for the subject matter but not worthy of the national attention it has received. After all, the number one movie at the box office over Halloween weekend was a movie about a dead celebrity and it wasn’t fictional. Apparently, it wasn’t too soon for the audience to shell out over 20 million to see the final rehearsals of Michael Jackson’s This Is It tour.

Sunday, February 1, 2009

Brand Spanking Brilliance

Super Bowl ads have come a long way. A quick rundown on Wikipedia shows that the cost for an ad during Super Bowl I in 1967 was $42,000. Adjusted for inflation, that price is somewhere near a 1/10th of the cost for an ad today, which is $3 million. Super Bowl ads are like the Black Friday of the marketing world. You spend a hell of a lot of money on an ad, hoping it is clever and brilliant enough to catch the audience’s attention. More often than not, the ad you see during the Super Bowl is never played again.

With the advent of online video sites like YouTube, these ads can live on forever giving a huge ROI for their initial cost to air during the game. In fact, most people don’t see half the ads because of bathroom breaks or beer runs to the fridge. How many times have you gone to refill your plate of nachos only to hear the laughter from the other room indicating that you missed a comical ad? Most catch it the next day online. If the airing of the Super Bowl ad itself is like Black Friday, then the following day is Cyber Monday. Most IT geeks loathe this as their company bandwidth gets sucked dry by employees surfing for and watching ads.

Every news outlet and online blog picks the winners and losers of the night like they were Cojo judging the red carpet fashions from award shows. Websites get revenue dollars from surfers looking for ads while the products themselves get dollars from people clamoring to see the ads. Probably the most notable ad was the Orwellian Apple ad during Super Bowl XVIII. Others are continuing themes in a series of ads that span years like the horses playing football for Anheuser-Busch or the Budweiser Frogs and Lizards. More recent series of ads, that drive viewer expectation, are the racy ones from GoDaddy.com.

With the country in an economic slump, some people might wonder how a company can realistically pay such a high price for an ad when there are financial obligations to be met to their bottom line? To that end, I applaud Miller High Life for buying up one second of air time for their ads. Ok, so I stole the story from The Consumerist. However, instead of just regurgitating what the article states like some area reporters during the tech segments of the local news, I am just using the topic as a springboard.

What do I think about this campaign? To quote Guinness from their Super Bowl ads, “Brilliant!” This does raise some questions, though. Does MillerCoors have to pay for the full 30 seconds or can they pay $100k for one? Will YouTube take longer to load the ad than it does to play it? Will those with slow connections find the effect less than satisfying? Could this be the trend of the recession? Great ad, less money. If every advertiser jumped on the band wagon and produced a one second ad and then ran them back to back during commercial breaks would there be an outbreak of seizures from the mass amount of information flashing on the screen?

Wednesday, March 5, 2008

15 minutes of lame

In 1977, a little movie opened that changed the course of cinematic history. It also had serious ramifications in regards to my life. Even today I, still feel the effects of that film about good vs. evil set in another time and another place. Of course, I am talking about Star Wars. I was probably around the age of 4 when Star Wars was re-released, still without the moniker Episode IV: A New Hope, and it was the single most defining moment of my childhood. I must say it's hard to compare it against anything else at that time because I had seen only one other movie in the theater at such an early age, the Ralph Bakshi animated adaptation of The Lord of the Rings. There is a story that gets recalled every so often, that as a child, I had to explain that movie to my parents. Is it any wonder that Star Wars had such resonance with me? From the moment Princess Leia planted those medals on Luke Skywalker and Han Solo I knew what I wanted to be when I grew up. I wanted to be Han Solo. That lasted until Han was frozen in carbonite in the sequel. Then I readjusted my career path and settled on wanting to be Chewbacca. Okay, I'm kidding. I can say that from that early age, I have been fascinated with film and film making. I knew that I wanted to be in Hollywood when I grew up.

The evolution of such a lofty goal can be attributed to the fact that as a child, and even today, my imagination has been overactive. Actually, that's an understatement. I should say it is hyperactive. On a scale of 1-10, it goes to 11. I was constantly afraid of my bedroom due to the fact that I couldn't see inside the closet or under my bed and therefore any number of monstrous creatures resided in those dark places. What I couldn't see was far worse than anything that I could. Take your concept of the bogeyman and increase it exponentially and you had what I thought the bogeyman was. That was the downside. The upside was that I was always good at playing with my friends because I could imagine an entire world for us to play in and all they had to do was ask what I saw and they believed it, too. My wife will tell you that anytime I explain anything, I go to Erie to get there. It's a fault in my thinking. The more elaborate and detailed the information is, the better the quality. Granted, I do tend to ramble on and if you've read any of my posts you'd say, "DUH!" This was the driving force in my wanting to be a filmmaker or at least an actor. There are photos of me dressed up in costumes, which usually consisted of afghans, kitchen towels, or blankets, all pretending to be anyone but myself. I constantly developed new characters and voices to try out on a tape recorder that I carried around.

I finally got my big break in sixth grade when I joined the chorus in our school. Some how I managed to pull off singing just well enough to be let in and our grade school put on two productions a year. The winter production which had a Christmas theme was called Santa's Gone Hip. In this off, off, off, off, off, off, Broadway musical masterpiece, Santa finds himself to be antiquated and decides to update his image to compete with the times...and hilarity ensues. I played the part of an elf dressed up in punk clothes. I looked more like a skunk in Jams as I sprayed white coloring in my hair to give an outrageous look. For the spring show we did a retrospect on the history of communication called, Heard It Through the Grapevine, in which I had my first speaking role. Due to over abundance of energy and tendency to speak in John Moschitta fashion, I was sent to our Speech Teacher to learn how to slow down and enunciate my lines. After all, I had the opening speech and wanted to do my best.

After grade school, the opportunities to perform were limited with the exception of straight choir or band. I had already been in concert band and knowing that whatever got me through the singing process in grade school was luck at best, I opted to forget choir and stayed with playing the drums in marching, concert, and jazz band. Still the ham I was, I stood out from the crowd with my clownish antics. Once I began high school I was given new hope, in a round about way. The drama offerings in our high school consisted of either a Senior Class Play or a yearly Spring Musical. Still not wanting to make anyone's ears bleed, I shied away from choir but did join up with the stage crew for both productions. By my junior year, I was shanghaied into auditioning for the musical as well. My friends pretty much pushed me into it. It was rather uncharacteristic of me as I usually walked to the beat of my own drumming. Peer pressure never really affected me, at least that what my friends told me to think. I didn't think I could sing or dance, but I could act. Unfortunately, the musicals required the first two traits more than the third. My only saving grace was that I was a boy. That was pretty much a ticket into the cast, no matter what. So, I debuted my triple threat of mediocrity on stage Connellsville Area High School's 1992 production of Li'l Abner. I did not have so much a speaking part as most of lines were spoken by the character of "All" or "Everyone." But, I did have the distinction of being one of the few with the most stage time as I was constantly being put into more and more scenes doing more and more things. During the Sadie Hawkins Day Race, I was a part of a trio of men trying to escape marriage by hiding amongst cornstalks in a synchronized choreography of sneaking around. I was also one of the slovenly husbands that were magically transformed into a beefcake by drinking "Yokumberry Tonic." I was, of course, the before representation.

During the summer, I managed to work my way into a community theater production of Damn Yankees. I played Ted Nugent. I'm kidding. I played a baseball player with a few lines. It was a church group that passed around lead parts among their inner circle. Three of us from the high school performed and all agreed that our high school productions blew them out of the water in terms of talent. For our senior year, I was given the opportunity to audition for the Senior Class Play and did get the role of Homer Zuckerman in our production of Charlotte's Web. My first real speaking role in high school was a chance for me to once again hide underneath a costume and make up, portraying an older gentleman. I sounded more like a combination of Ross Perot, Jimmy Stewart, and my Jan Show, the high school Physics teacher. I followed up the play with another speaking role in Barnum, our Spring Musical. We based our production on the BBC's Michael Crawford version rather than the Jim Dale Broadway production, playing more on the convention of breaking the fourth wall. Convinced I had a better grasp on the acting requirements for the role, I was a bit distraught with being relegated to a smaller character. Not having the voice that my peers had, I relied on my timing and ability to understand how to play off the audience. Unfortunately, it wasn't enough to convince the director. If only I could have Milli Vanillied my way through it, it would have been spectacular. Not wanting to let my inability to sing well get me down, I relished in the opportunity to be a part of the circus that quite literally was the production. Again, having the distinction of being in nearly every scene as some sort of character, I learned how to spin plates, juggle, crack a bull whip, and even was a barker for a side show stand in the lobby prior to the show. That gave me the chance to totally improvise my character as we did not have any kind of script to work of for the role. The show was expanded to run for two weekends, something never done before in our school, which gave us a chance to be apart of a real theatrical run. Barnum closed on March 6th, 1993, my 18th birthday. It was probably one of the greatest accomplishments of my performing career. I'll never forget being on stage during the curtain calls with the confetti coming down underneath the multi colored lights which flooded the stage dressed as a three ring circus. It was not uncommon for the performances to get a standing ovation during the run, mostly due to the fact that our town took two things seriously, high school athletics and the musical. It was, however, the first time I truly felt deserving of one.

With college, I concentrated mainly on straight acting and had several roles in productions at the University of Pittsburgh. By the time I had graduated, I appeared in Room Service, Fuente Ovejuna, Psycho Beach Party (which I acted alongside Joe Manganiello), The School For Scandal, Lone Star, The Widow's Blind Date, Hopscotch, The Philadelphia, and Pericles. Not bad having Sheridan, Shakespeare, and Horovitz on your acting resume. I also managed to rack up one lonesome film credit. Technically, I was an unpaid extra, but still I poured a lot of method acting into playing "Crowd Member" in 1995's Jean-Claude Van Damme's classic film, Sudden Death. Since college, I have bounced around among the local community theater groups performing Summer Stock. But in 2003 I got my biggest break yet, I appeared in a commercial and was paid for it. On advice from a friend and fellow actor, Bob, who has appeared in at least one commercial for Austin's Cleaning Products, I went to an agency in Pittsburgh that provided actors for film and television productions. While I was there to sign up, I was asked to just do a quick audition for an Eat'N Park commercial. Being a regular customer, I must have impressed the casting director when I automatically rambled off an order from memory as part of my audition. I was contacted the next day and given instructions for showing up at the corporate site to film. I was beyond ecstatic. Finally, I was getting the opportunity to be a paid actor. I knew that I had no shot of being a real star unless I moved to Hollywood or New York. I wasn't interested in starving for my art for years until I had break, so I gave up the dream a long time ago. Still, there are tons of real acting jobs in Pittsburgh as more and more production companies come to the area to film.



Dinner For Two (2003)


The commercial was set to be shown on broadcast television in mid January of 2003. I managed to catch it during the Golden Globes and later on during the Pro Bowl. I couldn't believe it. There was my ugly mug on my television set and I didn't have to press play to get it there. Of course, I had to tell all my friends and co workers that I was on TV and even though it was all of maybe 4 seconds, it was like I was a star. My fame would soon be fleeting as I was given another job, later that year. I scored a shoot for Value City department stores. It was for a circular ad that would appear in the regional newspapers. Again, I touted to anyone who would listen that I was going to appear in their Sunday Paper and not in the Police Blotter. I made the treacherous drive to Columbus Ohio that summer for the photo shoot. I say treacherous because it was during the Sniper Attacks of 2003 along the highways of Ohio around Columbus. I managed to get to and from the shoot with no incidences and anxiously anticipated the arrival of the Sunday Paper in the coming weeks. When the day had finally come, I went to the store to buy the paper, proud to leaf through looking for my picture. It was a summer clothing line photo shoot and I was wearing a blue shirt and shorts in the ad. I flipped through the superfluous news filled pages looking for the ads sandwiched in the center. There it was, the Value City ad. I scanned the page and found my ad panel.......There I........wasn't. It was the right outfit but I wasn't wearing it. Normally, I won't be the first person to say that I am a pretty good actor. At 5'10", I am average height and can pull off a lot of characters. I think I do have some acting chops, but I don't think I could have pulled off portraying a 6'4" tall African American, which was what I saw when I looked at the spot where I was to have been shown.

For whatever reason I was replaced, I'll never know, but it was the last job I did with that particular agency. I found it increasingly hard to get time off for auditions and they neglected to use my work or cell phone as a primary contact number always leaving me messages on my home phone asking if I was interested in coming down the next day to audition. Since I needed a little more than 24 hours notice to arrange for a later shift at work, it became nearly impossible to schedule anything and I just let the dream die.

So, there you have it. My fifteen minutes were here and gone and now I've taken on the more demanding, yet highly rewarding role of father to my 8 month old daughter, Bailey. She's named after my two favorite characters in television (WKRP's Bailey Quarters) and film (It's a Wonderful Life's George Bailey). I still believe that if given the opportunity, I could be a great actor or filmmaker, but I like my life and I'm comfortable not being the center of attention. It was something I was so good at and craved the spotlight for most of my youth. For now, I may not be able to make a movie or act along side some of the greatest performers going, but I still have the chance to create a rich and immense world. I'm sure I'll have no trouble in convincing the one person who will relish in the opportunity to explore it. Perhaps she'll follow through on my dreams and make it big. I don't care if she never gets her name on anything other than the honor role. She's my biggest fan and my biggest hero and I'll never pass up the opportunity to take a photo with her. Just as long as it's me in the picture when I develop it and not somebody else dressed like me. That still burns my ass.

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